Over the last year I’ve been supported by the Alabama State Council for the Arts’ inaugural Gay Burke Memorial Fellowship in Photographic Arts.
The fellowship has allowed, in part, me and Jared Ragland to continue working on our project, Where You Come From Is Gone, which explores the representation of memory and absence through a series of wet-plate collodion tintype photographs documenting sites of Native American habitation and removal across the American South.
I’ve also been designing and building an ultra large format 20x20” field camera, and this blog post will serve as the holding ground for build updates.
I’ve researched a camera build of this scale for years, off and on, and have drawn my initial plan in SketchUp, with the goal of having my friends at Alabama Sawyer cut out the parts on their CNC, for the prototype at least. The prototype is made of plywood but the final build will be made of some cherry that’s been saved by my dad from his dad.
Here’s an overview of the camera as animated in SketchUp. It’s a rough sketch, but you get the point.
After the design was completed, I set out to make the ground glass. Several hours of hand-grinding with 5 micron grit (3300 grit sandpaper equivalent) turned into my first homemade proper ground glass. The best I’ve done before this is sandpaper on plexiglass, so this is a big upgrade.
Soon the prototype build should be done and we can continue our wet plate work at a much larger scale.
Here are some progress photos. I’ll update as things progress.
Glue up is still in process. Hoping to have a rough build in a couple of weeks. I’ve got the bellows (ordered from CustomBellows.co.uk, because I’d still be fretting over the materials, I’m confident) ready for glue up onto their small frame for mounting in the standards. That’s gonna be a trip.
More to come as this project continues.